At one point in his larger case, speaking to the trouble of trying to “read noninstrumental texts in an instrumental way,”4 Jacobs points out how the best features of artful writing—i.e. language that’s “unusually vivid or lovely, or if its presentation of ideas or images is subtle and surprising”—can just be missed by our reading too quickly with the wrong goals in view. And as an example he points to Edward Gibbon’s The Decline and Fall of the Roman Empire.
- Shaw Books, 2nd ed., 2000, 192 pp. ↩
- Crossway, redesign ed., 2013, 256 pp. ↩
- Oxford University Press, 2011, 176 pp. ↩
- That is, for example, trying “to read fiction or poetry or history or theology or even what the bookstores call ‘current events’ as quickly as possible and with the goal of accurate transference of data.” Pp. 73-74. ↩